BIBLIOGRAPHIE SÉLECTIVE

  • Badley, Linda, “Down to the Bone: Neo-neorealism and Genre in Contemporary Women’s Indies”, Indie Reframed, Women’s Filmmaking and Contemporary American Independent Cinema, Linda Badley, Claire Perkins and Michele Schreiber eds., Edinburgh University Press, 2016. 
  • Banet-Weiser, Sarah, Empowered: Popular Feminism and Popular Misogyny, Durham and London, Duke University Press, 2018. 
  • Blaetz, Robin, “Introduction: Women’s Experimental Cinema Critical Frameworks” in Women’s Experimental Cinema: Critical Frameworks, Robin Blaetz ed., Duke University Press, 2007, p. 1-19. 
  • Boyle, Karen, #MeToo, Weinstein and Beyond. Second edition, Cham: Palgrave Macmillan, 2023.
  • Charlery Hélène and Cristelle Maury, “Introduction”, in Feminist Visions: Tracing Feminist Epistemologies in 21stCentury  Film and Television, Hélène Charlery and Cristelle Maury eds., Bloomsbury, (forthcoming).
  • de Lauretis, Teresa,  “Guerrilla in the Midst: Women’s Cinema in the 1980s,” Screen n°31, 1990, p. 6-25.
  • de Lauretis, Teresa, “Strategies of Coherence: Narrative Cinema, Feminist Poetics, and Yvonne Rainer,” in Technologies of Gender, Bloomington, Indiana University Press, 1987.
  • Doane, Mary Ann, Patricia Mellencamp and Linda Williams, “Feminist Film Criticism: an Introduction”, in Re-vision. Essays in Feminist Film Criticism, Mary Ann Doane, Patricia Mellencamp and Linda Williams eds., AFI, 1984.
  • French, Lisa, The Female Gaze in Documentary Film An International Perspective, Palgrave Macmillan, 2021.
  • Froidevaux-Metterie, Camille, “Feminism and Women’s Bodies”, Pouvoirs n°173, 2020.
  • Harrod Mary and Katarzyna Paszkiewicz, “Introduction: Women’s Authorship and Genre in Contemporary Film and Television,” in Women Do Genre in Film and Television, Mary Harrod and Katarzyna Paszkiewicz eds., New York and London, Routledge, 2018.    
  • hooks, bell, “The Oppositional Gaze. Black Female Spectators,” Black Looks: Race and Representation, Boston MA, South End Press, 1992, p. 115-131.
  • Johnston, Claire, (1973), “Women’s cinema as counter-cinema,” in Feminism and Film, E. Ann Kaplan ed., Oxford, Oxford University Press, 2000. 
  • Kennedy, Florynce, “Institutionalized Oppression vs the Female,” in Sisterhood is Powerful: An Anthology of Writing from the Women’s Liberation Movement, Robin Morgan ed., New York: Vintage Books, 1970.
  • Lotz, Amanda. Redesigning Women: Television after the Network Era. University of Illinois Press, 2006.
  • Lotz, Amanda. “Postfeminist Television Criticism: Rehabilitating Critical Terms and Identifying Postfeminist Attributes”. Feminist Media Studies, Vol.1, 2001.
  • Maury Cristelle and David Roche, “Introduction”, Women Who Kill: Gender and Sexuality in Film and Series of the Postfeminist Era, Cristelle Maury and David Roche eds., Bloomsbury, 2020.
  • Mayne, Judith, The Woman at the Keyhole: Feminism and Women’s Cinema, Indiana University Press, Bloomington and Indianapolis, 1990.
  • Mirzoeff, Nicholas, The Right to Look: A Counterhistory of Visuality, (Durham and London: Duke University Press, 2001). 
  • Mulvey, Laura, “Visual pleasure and narrative cinema,” Screen 16: 6–18, 1975.
  • Paszkiewicz, Katarzyna, Genre, Authorship, and Contemporary Women Filmmakers, Edinburgh University Press, 2018. 
  • Radner, Hilary and Rebecca Stringer, ‘Introduction: ‘Re-Vision’? Feminist Film Criticism in the Twenty-first Century’, in Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema, Hilary Radner and Rebecca Stringer eds., London and New York: Routledge, 2011.
  • Rich, Adrienne, “When We Dead Awaken: Writing as Re-Vision” (1971), in On Lies, Secrets and Silence: Selected Prose 1966-1978, New York and London: W.W. Norton and Company, 1979. 
  • Sellier, Geneviève, Le Culte de l’auteur, les dérives du cinéma français, La fabrique, 2024.
  • Staiger, Janet, “Finding Feminist Filmmaking” in Feminist Visions: Tracing Feminist Epistemologies in 21st Century Film and Television, Hélène Charlery and Cristelle Maury eds., Bloomsbury, (forthcoming). 
  • Thornham, Sue, What If I Had Been the Hero? Investigating Women’s Cinema, London: BFI, 2012.
  • White, Patricia, Women’s Cinema, World Cinema: Projecting Contemporary Feminisms, Durham and London: Duke University Press, 2015.
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